Dream Damage Records is psyched to announce the release of Assassins 88 & TV Colours Split 7″ (now available to order online). Assassins have swapped the bass for guitar, with less noise and more melody. Both tracks were recorded in a shed last summer, with Mike from Teddy Trouble. A new EP will be available for download in February. TV Colours is the one man recording project from home town hero Bobby Kill. His side is some of the catchiest punks anthems out with The Kids Are All Grown Up named top song of 2010 by Polaroids of Androids. TV Colours is gearing up for the release of his debut LP out later in the year.

The Kids Are All Grown Up – TV Colours (formely known as basketabll cards) from Ed Wood

Over the past few months Assassins and TV Colours have been playing live as a three piece, playing each others songs and generally kicking ass. You can catch them up in Brisbane this weekend and in Sydney, Melbourne (Feb 5th show moved to march – more details soon) and Canberra over the coming months. The 7″ is available to order online via the bigcartel and will be stocked in good record stores soon.

Beach People – Assassins 88 (Summer Body Workout) from Lindsay Horner

Assassins 88 & TV Colours Split 7″

• Release Date: 2011
• Label: Dream Damage Records
• Genre: Punk, Noise, Pop

Purchase – $10AUD

Brisbane’s Kitchen’s Floor are currently out on an East Coast tour this month to promote their new self titled 7″ put out by R.I.P Society (hot shit). Fronted by Matt Kennedy, Kitchen’s Floor write pop songs wallowing in raw anxiety and heavy distortion. It’s a dank and dark trip. This EP was recorded back when the band was an acoustic two piece. These days they play with Glen from Marl Carx, another sweet Brisbane band. You can get both the 7″ and album, Loneliness is a Dirty Mattress, from R.I.P. Society Records.

Kitchen’s Floor – Kitchen’s Floor EP

• Release Date: 2008
• Label: Self Released
• Genre: Garage, Rock, Folk

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False Jesii’s self released internet EP “Ripped Jeans” dropped recently so we decided to talk to Daniel Morrison the boy behind False Jesii and Camera Kazi.

Is the name False Jesii from the Pissed Jeans song? Why that name?
I asked one of my friends what they thought would be a good name for a band, and she told me False Jesii. Eventually I downloaded the song and I really fucking hated it. I don’t even know what it means. I wish I’d named myself Weed Diamond or something.

How did you record your albums?
Ableton Live. I once tried using Audacity but I couldn’t handle not having a metronome. At first I had a cable straight from my guitar/drum machine into my computer but then I lost that at a house party so now it’s just a 15 dollar mic I got from JB Hi-Fi 3 years ago.

Is still being in High School restrictive on playing music?
I hardly ever actually play music. I once learnt two songs by Girls in a night and that was the most I’ve ever done. I doubt I’d play more music if I wasn’t in high school.

What do you do when not playing music?
Listen to it, or play pokemon on my computer.

We were told that you don’t remember how to play any of your songs. Is that because of the way you record?
Yeah, the only thing I actually write down is the lyrics and I’ve never made a proper attempt at structuring my songs. I don’t even think I could actually play a whole song in one take, because I record using loops. It’s not that I don’t remember how, it’s more that I never knew how.

Do you have any plans to play live or start a band when you return to Canberra?
Maybe if I relearnt all my songs or something, but it’s highly unlikely.

What was Camera Kazi? Why did it end?
Camera Kazi was me and Lital Elkobi, the friend who named False Jesii, attempting to be Crystal Castles, or if we were trying to be cool, Kap Bambino. It just kind of died because Lital didn’t want to record vocals anymore, I don’t really know why. Once that Brisbane band DZ asked if they could use ‘War’ in their DJ set and then they never replied to me, so I was pretty cut and decided to stop.

Camera Kazi was a completely different project to False Jesii, where do you see your music heading in the future? Is it all about this lo fi thing or is there another genre you would like to get into?
I wanna be the next Fungi Girls. But actually I’m really jealous of them, they’re like younger than me and have some sick pretentious blog and get to play shows with Abe Vigoda. At the moment I’m listening to more Boards of Canada than I used to, so maybe something like that. Also ///▲▲▲\\\ is rad. I’d like to make something that sort of mixes those two together along with Salem. Hopefully.

Why are you in China, how is it and when are you coming back?
Government family, but not an ambassador unfortunately. It’s great, and I probably won’t come back to Canberra to live.

What are the big influences on False Jesii?
Basketball Cards and Wavves.

How far removed from “Canberra” music do you feel?
Ask Google Maps. I’m grateful for Canberra music though, especially Basketball Cards. That shit is amazing. When is that 7″ coming out?

You seem to be a hit with music blogs, what are your thoughts on that?
It’s great. My favourite was the one from the Pigeon Post where he managed to simultaneously misspell my name and claim I redefined the “genre” of noise-pop.

Any internet albums coming up soon or do are you planning any physical releases?
Apart from this Ripped Jeans release I don’t really know, I haven’t written anything for a long, long time. A physical release would be great but I prefer letting people just download my music for free and I wouldn’t really be able to appreciate it anyway. Maybe I’ll do something electronic again, I wouldn’t mind that.

All of False Jesii’s releases can be found HERE

False Jesii – Ripped Jeans

• Release Date: 2009
• Label: Self Released
• Genre: Shoegaze, Punk, Lo-Fi

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Richie Dick Nixon, man behind the synth in The Fighting League has been living and studying in the US for the last six months. He has also been recording for the project Ghost Patrol and I got a copy of his new EP a few weeks ago. Its a nice combination of synth heavy trip hop, blending elements of 90s electronica and abstract noise. Solid debut.

Ghost Patrol – Ghost Patrol EP

• Release Date: 2010
• Label: Self Released
• Genre: Electronic, Instrumental, Trip Hop

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In the tradition of My Bloody Valentine and Slowdive comes local Heute-Und, also known as Simon. His new 5 track E.P Peninsula is an interesting combination of noise and shoegaze, self described as “noisegaze”.

Heute-Und has popped up out of nowhere, having never played live or released anything prior to now. Peninsula comes from the exploration of playing with loud decibels which Simon says is “not for the sake of being loud, but to sort of see what soundscapes you can make at such a volume.” The result is a surprisingly well produced collection of reverb soaked jams that balance “wall of sound” guitars with solid songwriting.

There are no plans for a physical release of “Peninsula”, as Simon prefers to keep it digital, explaining, “I’m all of the idea that charging for a release on the net is quite often a waste of time. Henry Rollins came out with a quote that kinda sums it up: ‘I’d rather be played than paid’”, although he does not count out future limited releases. When not recording for Heute Und, Simon plays in a Mathcore band “Heroics” and occasionally DJs at REV.

Listen to more at his Sound Cloud.

Heute-Und – Peninsula EP

• Release Date: 2010
• Label: Self Released
• Genre: Shoegaze, Noise, Ambient

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Killing Birds are a guitar & drums two piece who formed somewhere in Canberra earlier this year. They finished their first EP Her Joy last week without even having played a show yet (at least I think they haven’t). No doubt they are big Nirvana fans with the EP sometimes sounding like the lost B-Sides to Nevermind. Regardless of that, these guys have written some great songs. The eight track release will be out sometime next month, I’ve only posted the first track Plume, if you want a copy get in contact with them at their Myspace or keep your eyes out for them live, apparently they’re tight as fuck.

Killing Birds – Plume

• Release Date: 2009
• Label: Self Released
• Genre: Alternative, Rock, Grunge

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“Enter Hoodlum Shouts who defy cyclical trends with their debut EP Horses and Human Hands. With what we believe is a contribution, rather than trend, to the affectionately nicknamed era I call ‘Australian-post-colonial-punk’. This release would have recognisable past and present bands like The Birthday Party, The Stabs, The Triffids, (early) Hunters & Collectors, Midnight Oil and The Drones (if the majority of these bands had died in their primes) turning excitedly in their graves.” (Birds Love Fighting)

Check out the track History’s End from the Horses and Humans Hands EP, which you can pick up from Landspeed Records in Canberra or from Missing Link in Melbourne.

Hoodlum Shouts – History’s End

• Release Date: 2009
• Label: Self Released
• Genre: Post Colonial Punk, Rock, Country

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“Kasha’s, pulsating debut release, Five Songs for Sunstroke is a triumphant mix of kraut and experimental math rock speckled with poetic spoken word, fuzzed out bass, free form drumming and sharp edgy guitar. The five songs has been produced live onto tape by Richard Belkner who has worked previously with artists such as Pivot, Triosk and Showa 44.

Kasha’s, Five Songs for Sunstroke is now available to purchase from our store so get to it!

Kasha – Five Songs For Sunstroke

• Release Date: 2009
• Label: Self Released
• Genre: Alternative, Experimental, Math Rock

Purchase – AUD $10

This is the debut solo release for Warwick JW Smith, founder of Birds Love Fighting Records, and familiar face in bands such as Mankilled, The Gashes and now bassist for Cat Cat. This new hand painted EP is now available to buy through our friends Birds Love Fighting Records, but if you don’t manage that they have kindly put it up for free download!!

The release is an example of loose, discord and atmospheric guitar, droning organ creating improvised pop songs that dives into, without sounding like a downer, situations that are under the influence of emotion. With having all that said, there is a diversion in track 6, with an improvised epic power jam with drummer Leon Twardy. Don’t let it get you down! the last song Wasted, is a nice track of solidarity to those of us who have literally stumbled into bed and woken up the next day feeling wasted.

J.W Sparrow & The Miner Birds – Little Monster

• Release Date: 2009
• Label: Birds Love Fighting Records
• Genre: Shoegaze, Dream Pop, Drone

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After dropping the melancholy weight of his first release, Lets Hear It For Love grew on me pretty fast. Its a different feel, but I dig it.

False Jesii – Lets Hear It For Love

• Release Date: 2009
• Label: Self Released
• Genre: Noise Pop, Bedroom Punk, Shoegaze

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